Sigma 28mm f/1.8 EX DG Aspherical Macro Large Aperture Wide Angle Lens for Canon SLR Cameras
- Macro focusing capability with fast F1.8 maximum aperture
- Minimum shooting distance of 20cm (7.8 inch)
- Dual-Focus (DF) mechanism
Features minimum focusing, down to 20cm/7.9inches (reproduction ratio 1:2.9). The iris diaphragm has 9 diaphragm blades to obtain beautiful out of focus image. It incorporates the floating focus system and the use of two aspherical lens elements to minimize distortion, spherical aberration and astigmatism. The lens incorporates minimum vignetting optical construction in order to obtain adequate peripheral brightness with open aperture. Internal focus system of the lens eliminates front lens rotation, thus allowing the use of a Perfect Hood and easy use of polarizing filters. The lens also incorporates a dual-focus mechanism. It is easy to hold the lens, since focusing ring does not rotate during auto-focus, and yet provides adequate torque of the focusing ring during manual focusing of the lens. The lens materials used in this lens are lead and arsenic free ecological glass.
List Price: $ 449.00
Price: $ 449.00
Sigma 50mm f/2.8 EX DG Macro Lens for Pentax and Samsung SLR Cameras
- Macro lens designed for Pentax digital SLR cameras
- 50mm focal length
- f2.8 maximum aperture
- Super Multi Coating reduces flare and ghosting common to digital SLR cameras
- Screw-in lens hood included
Optimized optical design for digital SLR cameras. Sigma launched first standard 50mm Macro lens in 1990. This was succeeded by the 50mm F2.8 EX Macro in 1998 which proved even more popular with photographers, benefiting from improved build and optical quality. The advent of digital SLR’s requires optimum lens performance and therefore the very latest optical technology has been incorporated in the production of the New Macro 50mm F2.8 EX DG. This ideal standard lens sets the benchmark for digital SLR cameras.
List Price: $ 369.00
Price: $ 748.00
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Great Detail .. Affordable Price,
Bought this lens to assist in Small Product Photography. Since depth of field is normally limited in Macro Photography, the ability of this lens to stop down to F45 was crucial. The result was fine detail and color reproduction to the point where I could see my finger prints on the bezels of the watches. Got to wear cotton gloves!
Don West Photography
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|Excellent Lens,
I recently purchased the Nikon D200 camera. I had several nice zoom lenses but I did not have anything which would take macro close-up photos. I did some research and found good reviews for this lens. So I got it.
The lens is an excellent lens for close-up photos. I am not a professional photographer but I try really hard to get good sharp photos. This lens will do the job.
Since it is also also a 50mm lens I have used it as a normal lens. The only problem with that is that over the years many of us have been spoiled with zoom lenses. With a zoom lens you can stand in one spot and zoom the lens in or out to get closer or father from your subject. With just the 50mm capability of this lens you have to physically move in or out to get a closer shot or a wider shot. This is not necessarily a criticism, just a comment about how we have been spoiled by zoom lenses.
I do not believe you will be disappointed with this lens. The price is great for the quality.
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|BEST WIDEANGLE LENS I HAVE USED,
This lens is awesome.
I wanted a wideangle for shooting indoor low light. This filled that void and then some. I wasnt satisfied with the idea of getting a f/2.8 wideangle lens for shooting indoors. I wanted something faster, then I stumbled up on this lens. I could not find many reviews, but I figured Sigma was a good brand, and anyways the lens turned out to be fantastic.
I use it primary for indoor shooting and for situations where I need a wider angle of view.
I would highly recommend this lens to anyone who just needs something wider than a 50mm on a DX sensor.
I am using this on a Nikon D90 and have been overwhelmingly satisfied with this product.
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|Very versatile, good colors and bokeh.,
Since I’ve purchased this lens it has hardly left my K110D body. A bit soft wide open but if low light cannot be worked around it’s better than the alternatives (flash, motion blurr). Beautiful colors and especially good transition from in-focus to out-of-focus areas. I bit bulky but I knew this a priori and I quite like it now compared to lighter lenses. Seems well built and focusing is very smooth.
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|Superb, with some reservations,
Let me start by saying I’m not a hardcore fan of any particular brand. I like to gauge lenses by their individual merits, rather than discussing them as a brand.
The Sigma 28mm f/1.8 EX is an excellent lens from an optical standpoint. On digital and film SLRs from Nikon, I was always quite impressed with the optical quality. Even wide-open at f/1.8, it is roughly as good as the Nikkor 50mm f/1.8, which is somewhat low in contrast, but still resolves quite a bit of detail on the focal plane. Stopping down a stop or two, like with most lenses, really brings out the contrast and sharpness, and this lens delivered quite wonderfully, matching the famous 28/2.8 AIS Nikkor for sharpness both up-close and at infinity. Further, this lens allows closer focusing than the Nikkor, and possesses less apparent geometric distortion. As much as I love the AIS28, the Sigma is quite brilliant too.
While very good at infinity, the lens shines for moderate closeups of objects like flowers. Although it says “macro” in the name, it only approaches 1:2.9 magnification, and the distance from the front element is quite small, so live insect photography will likely not be its forte. At this range, the lens also has a much smoother out-of-focus rendering wide-open than much of its competition (such as the 28/2 AIS Nikkor). If you like smooth boke (not everyone does, but many do), this can be a good lens for that effect.
The biggest downsides are the size and the autofocus. Although it is high quality, the lens was simply too big for my taste. Compared to my 28/2.8 AIS, the Sigma is simply massive. In fact, it is about the same size as a 28/1.4 Nikkor, and uses larger (77mm) filters! This is a concern for people who like using filters like polarizers, which get much more expensive at large sizes. The second major issue is that the autofocus mechanism has proven unreliable, particularly on Canon versions of the lens. My Nikon experienced some focus inconsistency at midrange distances (better consistency up close). As I tend to manually focus, this was not too much of a problem, but for those who do depend on it heavily…this lens might cause frustration. Bear in mind, this is not the case for EVERY lens of this make; it is likely an issue with sample variation which has been pointed out for some time. Some people have great luck, some are not so lucky.
As I prefer to manually focus and personally prefer smaller lenses, I opted instead for my AIS Nikkor, which has roughly equal optical quality in a much smaller package with inexpensive 52mm filters. However, I do miss my 28/1.8 Sigma and, were it a smaller, manual focus lens, I would likely be using it today.
If you can get over the gargantuan size and if you can circumnavigate the sample-variation-related AF quirks, this lens is quite beautiful. I must give the designers kudos, even if it’s not the perfect lens for me personally.
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