Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras
- 70-200mm telephoto zoom lens with f/4 maximum aperture for Canon SLR cameras
- Inner focusing system and ring-type ultra-sonic monitor for quick and quiet autofocusing
- Compatible with same tripod collar (sold separately) as EF 300mm f/4L USM lens
- 3.9-foot close-focusing distance; supports use of circular polarizing filter
- Measures 3 inches in diameter and 6.8 inches long; weighs 25 ounces; 1-year warranty
Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR CamerasCapture the far-off action of fast-paced sports or zoom in for an intimate portrait with the Canon EF 70-200mm telephoto zoom lens. This high-performance, L-series telephoto zoom lens is distinguished by such features as an f/4 maximum aperture, an inner focusing system, and a ring-type ultra-sonic monitor (USM). The last two features combine to deliver quick and quiet autofocusing–a priority for many amateur and professional photographers. In addition, photographers can attach and use a circular polarizing filter without difficulty because the front lens element does not rotate during focusing. Compatible with the same tripod collar (sold separately) used with the EF 300mm f/4L USM lens, the lens carries a one-year warranty. Focal length: 70-200mm Maximum aperture: 1:4.0 Lens construction: 16 elements in 13 groups Diagonal angle of view: 34 to 12 degrees Focus adjustment: Inner focusing system with USM Closest foc
List Price: $ 1,200.00
Price: $ 633.00
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Good Lens but……,
Like many people my decision on a telephoto zoom lens came down to buying the Canon 70-200mm f/4L or the Canon 70-300mm f/4-5.6 IS USM. The trade offs seemed clear at first. The former performs slightly better (see Canon website for MTF data), is better designed & built, is faster and has the “L” lens status. User comments and ratings (at more than one site) are slightly more favorable for the L lens. The 70-300mm has an improved IS and of course a longer focal length. Both cost about the same so money was not a factor in my decision.
I eventually decided on the L lens and was initially disappointed. Photos ranged from wonderful to not very good at all. In fact, I almost returned the lens. Eventually I figured out the problem. My yard is heavily shaded so most of the initial photo’s were taken in low light and I had selected shutter speeds that were too slow. To avoid camera shake you need to shoot at the reciprocal of the focal length or faster. Sounds simple but with the Digital Rebel XT (which I was using) you need to consider the camera’s 1.6 multiplication factor. So at 200mm you need a shutter speed of 1/320 or faster not 1/200 like I initially thought. Once I made the speed adjustment things changed for the better.
Still I have some mixed feelings about my decision. When the light is good this is a fantastic lens but with the IS feature offered on the 70-300mm I would probably get photos that I will miss with this lens.
I can’t fault the performance of this lens for its limitations and I have given it 5 stars. In other words it does what it is supposed to do very well but my message to other buyers is to consider where you are most likely to use the lens before buying. Remember IS becomes increasingly important as you extend the focal length. If your camera is already extending it by a factor of 1.6 you may find IS a very attractive feature.
(Note the 70-300mm has a recall on certain model numbers because of problems when using the lens in a portrait position.) By the way, I purchased from Amazon and it was a flawless transaction!
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|Incredible quality at a reasonable price,
In my opinion, this Canon lens provides the best value in Canon’s entire line up of “L” glass (lenses). If you have never used an L lens before, this will open your eyes to what you have been missing. Very fast focusing, very sharp images, very little chromatic abberation, and consistent quality through the entire zoom and aperature range.
One note; with a widest aperature of f/4 and a long focal length, you will not be able to take indoor photos without excellent lighting or a flash. I’ve tried to take photos of ice hockey, where the rinks are notoriously poorly lit, and had very little success. Even with a tripod it is a challenge to maintain a fast enough shutter speed to freeze the action of a kids game (yes, even with ISO at 800). But in good lighting or outdoors in the daytime, this lense rocks.
Great sports photos. Great nature photos. This lense is extremely versatile. I have even used it with flash indoors for portrait photography.
There is not too much to mention on the negative side. Its size and color do make it stand out a bit in public, and people may thing you are a professional photographer. I’ve also noted that the depth-of-field with a wide open aperature, especially at f4, is very narrow. As long as you’ve been careful to focus on your subject, the background will be blurry. But focus on something other than your subject and you may find your subject to be blurry.
All in all, this is one great lens that will let you take very sharp photos. And it is a bargain price compared to its f/2.8 and f/2.8IS sibliings.
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|Perfect on-the-go lens,
I have to say, “Wow I love this lens.”
I’d recommend this lens for three kinds of people:
1) People who want to get a taste of the L-series lenses who need a lens in the 70-200mm focal length relatively inexpensively;
2) People who already own the 70-200mm f/2.8L IS lens who have to lug that huge thing around for a long time;
3) People who want a L-series 70-200mm lens who don’t NEED f/2.8 or IS.
Call me a wimp, but shooting 1000-2000 shots a day in the field with the 70-200mm f/2.8 IS gets tiring, especially if you’re hand-holding. This lens is relatively inexpensive for being L-series glass, the difference in optical quality is almost imperceptible from the f/2.8, and it’s sturdy and ergonomic enough to use all day long.
When I plan on shooting the whole day, especially over the course of several days, this is the lens I take with me, NOT the f/2.8 IS. It’s shorter, narrower, and lighter. While you may not feel the difference when shooting for a couple of hours, take two people of equal endurance and strength and give them the f/4 and f/2.8 IS and send them out for a day and you know who is going to come back with the sore arms when the day is over.
On a 1.6x FOVCF body, the 70-200mm focal range makes this lens a little tight; but at 1.3x or 1.0x FOVCF, this focal length range is quite awesome. When I travel, I like to pair this lens with the 17-40mm f/4 and use my feet to fill the gap between 40 and 70mm (I also take along el-cheapo 50mm f/1.8 so I can shoot in low light, and the 1.4x teleconverter to give myself an effective 450mm reach) — all of this is a good, lightweight, relatively inexpensive package. Also, while being quite a chunk of pocket change, this lens is nowhere near as expensive as the f/2.8 versions, and so it’s a lot less of something to worry about when traveling or shooting under adverse conditions.
As so far, I have found NOTHING that I do not like about this lens (well, except for the one-stop loss from f/2.8).
I have to say that if you are looking for a single lens to do General Purpose work, this is not it. This lens is for specfic purposes. This lens works best as one-half of a pair, taking the upper useful focal lengths, while you use something like the 17-40mm f/4L or the 24-70mm f/2.8L to handle lower range of focal lengths. If you’re looking for a carry-everywhere never-change lens, try the 28-135mm f/3.5-5.6 IS lens. It’s a great value, the focal length range is in the sweet spot, and the optics are not bad.
Otherwise, if you fit into one of the three categories at the beginning of this post, I would highly recommend this lens to you.
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