Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens
- High-ratio, 11x zoom lens and 18-200mm focal range
- VR II Vibration Reduction technology provides a four-steps-faster shutter speed
- Lens incorporates two ED glass and three aspheric lens elements
- Delivers high-resolution and contrast, outstanding image quality, and fantastic photographic versatility
- AF-S Silent Wave Motor provides fast quiet autofocusing, and M/A mode makes it easy to switch from auto to manual focus
Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens
List Price: $ 0.00
Price: $ 949.00
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Not the “Perfect Lens”, but close,
I waited 6 weeks for mine to arrive and used it almost immediately at an airshow featuring the Blue Angels. I took about 3 gigibytes of pictures at that show. I used the lens with a D50 in sports mode to capture the fast moving planes. It was a great day with not a cloud in the sky. When I later looked at the pictures I was dismayed to see significant light fall off or vignetting on the shots taken at 200mm with the lens wide open at f5.6.
This light fall off is the most significant problem I have noticed with this lens. I contacted Nikon and they said it was normal. Since the lens is made for the smaller DX sensor the diameter of the lens is smaller. This causes mechanical shadowing at long zoom lengths with the lens at the wide open settings of f5.6 until about f11. All lenses have light fall off, to some degree, at the edges. When you use a regular lens made for 35mm with the smaller digital DX sensors the fall off is outside the sensor and not seen. The light fall off was especially noticable with the blue/uniform background. If the background was “busy” the falloff would be less noticable.
Vignetting/light fall off is also usually seen on the wide side of zooms like this. I have not seen any with this lens. I do use a Hoya Pro 1/2 thickness filter so that a shadow is not made when shooting wide angles of 18mm – 28mm or so. I saw a technical review of this lens that noted it had significant outer distortion on pictures taken at 18mm but I have not seen that.
Pros
-Light weight for range
-Large range
-Vibration Reduction
-Sharp, crisp pictures with vibrant colors
-Fast Focus with manual focus adjustment ring for fine tuning
Cons
-Light fall off at long telephoto settings and large f stops
-Vibration Reduction helps with handheld shots but does not stop subject motion in low light, you still need a fast lens for that
-High price and limited availability
-Might get light fall off at wide angles unless expensive 1/2
width filter is used
-Lens Creep (but most telephotos have this to some extent)
I have since used the lens to shoot the Special Olympics. The outside track and field photos are excellent. Inside shots where hit and miss with subject movement in low light being the biggest culprit (was shooting no flash at 1600 iso).
For about the same money you can get a Nikon or Sigma 2.8 lens that covers approx. 80-200mm. I have read several opinions that you will still have fewer bad pictures with the VR of this lens and I believe that is true. It is not a perfect lens, but it takes great pictures once you know its limitations.
One tip – If you get this lens, when you use it on a tripod turn VR off, it will actually cause your photos to be blurry.
UPDATE-Fall 2008 I have stopped using this lens and am instead using the Tamron 18-270mm f/3.5-6.3 Di II VC LD Aspherical IF Macro Lens for Nikon DSLR Cameras which has “Vibration Control” and a wider range going all the way out to 270mm. It focuses almost as fast and has a wider diameter hence the vignetting of the Nikon is gone. One last thing is that it has much less lens creep and even a lock at 18mm.
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|Groundbreaking lens,
By now there are enough pro reviews out there for experienced shooters to read the handwriting on the wall. No, this is not a 17-35 and 70-200 wrapped into a tiny package. You can’t have that for any amount of money. The 18-200VR is NOT meant to challenge the exotics like my 70-200VR or the 200-400VR. It’s not even meant to take on a prime. It’s designed to be the ultimate one lens solution when you don’t want a bag full of heavy glass along for the ride. It features moderately fast (but not very) optics, vibration reduction and a lot of work to keep CA and distortion down. This it achieves with some success, but distortion is still obvious at 18mm. Distortion is sever enough at the wide end to require correction in post (easy to do), but this is NOT lens for those who shoot architecture professionally. This type of distortion is TYPICAL for a lens of this type.
I’m sorry, but those who have panned this lens either got a bad one (quite possible with early batch issues reported) or just don’t understand what a walk-around lens is for. This is what we all hoped the 24-120 VR would be, but unlike that lens it gets much more done for just 200 dollars more. Anyone who says there are lenses like this for less…well where? No other superzoom is this sharp, has so little CA and throws in VR II as well…and in a small package!
Now…how good is it in the real world? VERY GOOD. It’s a match for the sharp little 28-200G which means it’s only a bit less sharp than the 70-200VR which costs twice as much. My first images with this lens were stunning, detailed and fairly sharp to the edges above F5. Close focus gives near macro results and again this lens is SHARP! Focus speed is quite fast of course, but I feel that the 18-70 kit lens is a hair quicker. You could shoot all day with this miracle and do it all without feeling like you need a giant lens. If, like me, you find yourself shooting mostly in the 35-200mm range on a DSLR, this lens makes a lot of sense. It also displayed deeper color saturation and contrast than either the 28-200G or 50mm 1.8. Did I mention that I’m impressed?
Build quality is good, but not great. It’s hard to be impressed with any lens build when compared to the 70-200VR. The 18-200 zoom is a bit stiff, the manual focus a bit loose. I suspect Nikon dialed up the zoom stiffness due to early problems with lens creep early on. It’s not creeping at all. The size of the lens is only a bit bigger than the kit lens, perhaps as bulky at the Tokina 12-24 if you have one of those.
VR II exceeds all expectations I was able to shoot sharp shots at 1.10th sec exposure. But remember this is NOT fast glass. A moving object in dim light will be blurred at such slow shutter speeds. Thus far this is an impressive effort from Nikon. Even an experienced shooter could find this lens on the camera most days and be happy. “Average” shooters will need nothing more because this lens is that good. The only areas for improvement given the real limits of optical design are in the build quality, which could be a bit better. In the end, even at 700 dollars plus, this lens is pretty hard to resist.
And no, this is not a “kit lens with VR.” The kit lens only reaches to 70mm. The kit lens also can’t do near macro work as this lens can. The kit lens is also not as sharp. And of course this lens has the latest version of VR that works superbly. There is simply no other lens like this on the market currently. Again, if you’re thinking that this lens should be perfect and doesn’t require compromises to achieve it’s design goals, please do your homework before buying. If you need a zoom to cover this range at F2.8, with no distortion and small size please call Mr. Scott aboard the Starship Enterprise.
For those who question the sharpness of this lens, be aware that there are online tests showing it’s even sharper at the corners than the legendary 17-35 2.8! Against my 70-200VR I see a SLIGHT sharpness advantage with the 70-200, but only visible with a 100% crop. Or to put things even more in perspective, this lens works nicely on a D200. Search the forums for yourself. Most D200 owners are reporting great sharpness even with pro bodies.
This lens is simply a ton of fun for people who like to take pictures
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