Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)

  • 18-55mm f/3.5-5.6G ED II lens
  • 55-200mm f/4-5.6G ED
  • EN-EL 14 rechargeable Li-ion battery
  • Full 1080p HD Cinematic Video with full-time autofocus and sound
  • 14.2-megapixel DX-format CMOS image sensor

The Nikon D3100 Digital SLR Camera provides an easy-to-use and affordable entrance to the world of DSLRs. The 14.2-megapixel D3100 has powerful features, such as the enhanced Guide Mode that makes it easy to unleash creative potential and capture memories with still images and full HD video. Other great features include an 11-point autofocus system, 3-inch LCD monitor with Live View shooting, HDMI output, 6 automatic Scene Modes, automatic sensor cleaner, and much more.Includes NIKKOR 18-55mm f/3.5-5.6G ED II lens and a 55-200mm f/4-5.6G DX AF-S ED Zoom-Nikkor Lenses.

List Price: $ 719.95

Price: $ 496.95

2 Replies to “Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)”

  1. Macauley86 says:
    439 of 452 people found the following review helpful
    5.0 out of 5 stars
    Takes excellent pictures and gets out of the way while doing it, November 14, 2010
    By 
    Macauley86 (California, United States) –

    Amazon Verified Purchase(What’s this?)

    This Nikon D3100 is a phenomenal deal for non professionals, the rest of us people that want to take family and travel shots. I’ve owned DSLRs since 2004, starting with a Nikon D70 and then moving to D40, D200 and Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black) and Canon EOS 40D 10.1MP Digital SLR Camera (Body Only). Those are all excellent cameras, but this Nikon D3100 is better than all of those in one crucial area, the area that matters: it takes excellent pictures without having to fiddle with the settings between shots. Yes, the other cameras are better in other respects: They have more buttons to change settings without delving into menus, they are bigger (is that a plus?), heavier (another plus?), and have better specs (1/500 flash sync speed for D70 and D40), but in the end I would have to fiddle with the settings to get the best results: change the white balance, fiddle with the ISO (my Canons would default to ISO 400 for flash shots, why? Who knows. That meant disabling auto ISO and choosing ISO settings manually), the exposure (+0.7 indoor, 0 outdoor), and so on. D200 was noisy at higher ISO, D70’s pictures tended to be cool (i.e. not warm), 40D had cool custom buttons (C1, C2, C3, very cool), but I found its ergonomics worse than XSi or any Nikon; why place the on/off switch at the bottom of the body? Who knows. Fortunately, new Canons have fixed this).

    This D3100 also makes the D3000 and D5000 obsolete. The D3000 is slow and noisy at high ISO. The D5000 only shoots 720p (not 1080p), no autofocus in movie mode, less resolution. Old technology.

    What sets the D3100 apart from all the other cameras above is this: set the camera in P (program) mode, auto white balance, -0.3 exposure compensation, slow flash sync mode (for people shots), auto distortion correction on (great!), auto chromatic aberrations correction on (great!), and you are set; now you can concentrate on the only aspect of photography that matters: composition, i.e. framing your shot in the best possible way. There must be a photography mantra that says, “thou shalt buy the D3100, and the D3100 will set you free.” Now this is if you shot jpeg. If you shoot raw, you can then use a program like DXO, Aperture 3, or Adobe Photoshop Lightroom 3 to further play with the pictures. My workflow with the XSi was to shoot raw, then use DXO to batch process all the pics according to two settings: people (low contrast, no saturation added) and landscape (contrast, saturation, etc.). DXO would then batch-remove lens distortion, chromatic aberrations, vignetting, apply custom curves, change white balance when necessary, and apply its (almost magical) auto lighting settings to make the shots pop. For now DXO does not have a custom module for the D3100 (still too new of a camera), so I’m shooting jpeg for now. Once DXO adds the module for the D3100, I’ll takes shots in both raw and jpeg fine and compare the jpegs straight out of the camera with the raw images processed with DXO. I’m curious to see the comparison.

    This is great, not only for you, but also for your non-photographer spouse; my XSi took phenomenal shots, but I had to know how to set it. Can you imagine me going to my non-photographer wife and say, “okay, when you take indoor shots of our kids, set the camera on A mode (Canons expose for ambient light in A mode and adjust flash for fill, that’s great), +0.7 exposure compensation, ISO 400 or 800, white balance on cloudy, and shoot.” My wife was lost at “okay.” Sure the custom modes on the 40D would have helped, but the 40D is old technology; can it take 1080p video? I didn’t think so. Plus, what lens are you going to use with the 40D? The 17-55 IS? Great lens, but who wants to spend $1,000 for a non-weather sealed 17-55 dust collector (google Canon 17-55 and dust)? Will 17-55 be enough for your telephoto shots? Your kids’ baseball games? Didn’t think so. What about the Canon 18-200? Sub-par quality, noisy, overpriced.

    Back to the D3100. Auto white balance (the second most important thing after composition) works great, even indoor (no cloudy setting necessary), the only changes are extreme situations (outdoor shade, or indoor fluorescent or tungsten lights at night, but that is true with every…

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  2. Michael Allebach "Tattooed Bride Photographer... says:
    2,164 of 2,216 people found the following review helpful
    5.0 out of 5 stars
    Nikon D3100 VS. D300 VS. D700, September 23, 2010
    By 
    Michael Allebach “Tattooed Bride Photographer… (Philadelphia, Pa) –
    (REAL NAME)
      

    For the cost of this camera, I don’t think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon’s high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.

    Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):
    * Lens = The D3100 is the only camera that comes with a lens at it’s normal price
    * ISO Performance = Tie between D3100 and D700! (It could be Nikon’s new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)
    * Low Light Focusing = D700
    * Focus Speed = D700
    * External Buttons & Controls for Pros = D700
    * Menu Navigation = D3100
    * Ease of Use = D3100
    * Megapixel = D3100 (14.2)
    * Sensor size = D700 (Much more important than megapixels but I won’t get into this)
    * Can use older lenses with functionality = D700 & D300
    * Video = D3100 of course! 1080P video looks amazing.
    * Frame Rate = D300 at 6 photos a second
    * Weight = D3100 (light as a feather)
    * Ergonomics = D700 (big enough for all my finger)

    Lens:
    The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can’t stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.

    Video:
    I purchased the 3100 specifically to shoot video, so I put on Nikon’s brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon’s 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.

    Jello Cam (What’s not so great):
    This camera still suffers from the “Jello Cam” look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I’m not sure if a faster video frame rate 60fps would help – but at 24 and 30 it can suffer badly.

    Conclusion:
    This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won’t regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.

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