Sigma APO Teleconverter 2x EX DG for Nikon Mount Lenses
- Teleconverter lens for Nikon SLR cameras
- Increases the focal length by the power of 2
- Multi-layer lens coating and lens design reduces flare and ghosting
- Includes lens case
*THE DG MODEL IS HERE* The new dedicated 2x APO Teleconverter features a 6 element/5 group optical design, and it is specifically designed for use with longer telephoto and telezoom lenses.The high performance optical characteristics of these teleconverters maintain the optical performance of the compatible lenses with which they can be used.Using 10-pin electrical interfaces, there is no loss of autofocusing speed when these teleconverters are used with compatible H.S.M. type lenses for Canon, Sigma, and now current Nikon AF cameras (except N60/F60 models). They are ideally suited for use with the 70-200mm F2.8 APO EX HSM zoom lens; providing normal exposure and autofocus function, while maintaining its high optical performance.The Sigma APO Teleconverter 2x EX DG for Nikon Digital SLR Cameras is a dedicated APO teleconverter that can be mounted between select lenses and the camera body to increase the focal length by the power of 2. The multi-layer coating reduces flare and ghosting,
List Price: $ 380.00
Price: $ 299.00
Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens for Canon SLR Cameras
- Digitally optimized diagonal fisheye auto-focus lens
- Minimum shooting distance of 5.9 inches
- Offers a 180-degree field of view
- Supplied with a gelatin filter holder
This digitally optimized diagonal fisheye lens is equipped with a new multi-layer coating technology that reduces both flare and ghosting. This also ensures an accurate color balance and high definition results. With a minimum shooting distance of only 15cm (5.9 inch), this lens has a maximum magnification of 1:3.8. The close focusing capability together with a large depth of field allow close up photography that covers objects surrounding the photographic subject. This lens is supplied with a gelatin filter holder at the rear, and a fitted padded case.The Sigma 15mm f2.8 EX DG Diagonal Fisheye Lens for Canon Digital SLR Cameras is a digitally optimized diagonal fisheye auto-focus lens. It is equipped with the latest in multi-layer coating technology that reduces both flare and ghosting. By taking advantage of both the distortion specific to fisheye lenses and the minimum shooting distance of 5.9 inches, the photographer can shoot error-free creative images. By offering a 180 degree
List Price: $ 830.00
Price: $ 609.00
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Great lens – zero vignetting,
Have been using the Sigma 15mm Fisheye for some weeks on a 5Dii and have taken about 1.000 shots with it. The short story: its a great lens that has lots to offer for anyone who like wide angle shots. Colors and flare resistence is tops. Centre sharpness is very good even wide open, while corners tend to be soft and suffer CA unless it is stopped down.
Fisheye lenses have a mixed reputation, which is a shame as they are some of the most versitile lenses around. Some of the bad reputation comes from the fact that some people think all fisheyes are “round”. However, the Sigma 15mm is diagonal fisheye, and fills the picture across the entire sensor.
But why a fisheye at all? Three main reasons;
1) its wider than a standard lens (so 15mm fisheye is much wider than a 14mm standard lens)
2) by not correcting the light (as much as a traditional lens), the fisheye should have less flare and
2) better – even spectacular – colors.
And when it comes to flare resistance the Sigma 15mm shines. Colors are also great, but fisheye lenses can be very tricky for the camera’s light meter. So with my 5Dii I often shoot @ f/-2/3 to f/-1½ to compensate for overexposure at bright daylight.
Some people complain that the Sigma may hunt at low light, but I do not find it more difficult to use than most other lenses – actually I find it quite good. It has worked fine from early morning, over heavy rain to dark night.
Versatile? You bet! The important aspect of shooting a fisheye is to use the focal plane very actively in your shots. There is a dramatic shift in the look and feel of a shot depending on the tilt to the horizon and where in the picture plane your objects are.
Also, as long as you shoot “rounded” objects such as people, a fisheye often works better than a traditional wide lens like the Canon 14L. On the other hand its not very good at buildings unless you use software to correct.
Finally, the ability to use software to straighten out the curved lines makes fisheye lenses more versitile than ever.
For me the Sigma has been a hit. My impression from reading reviews etc. on the net is that there is no significant difference between the Sigma and the Canon, so get whichever is the cheapest where you live (that’s what I did).
[Please disregard the previous review about vignetting. This lens has almost none even on a full frame. The user just forgot to take of the entire lens cap before shooting…]
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|A GREAT Lens……PERIOD!,
I bought this lens on a lark, and have enjoyed every second of my time owning it. I use it on my Canon 5D and on my Canon 40D, if I set my shots correctly, I have some of the most unusual, attractive and impressive shots in my Shot Library.
The key to success with this lens is to set the shot correctly. I have found it takes more planning, a steadier hand (or Tripod/Monopod), than even my 100-400MM F/4-5.6L. With a telephoto lens, your area of focus is less a challenge than the 180 Degree worth of study when dealing with this lens.
Don’t get me wrong, this lens is FUN!! I’ve never enjoyed landscapes, portraits, artistic shots more than I have when I am using my 15MM Fish. For the Casual user, high end amateur, or for the seasoned professional, this lens is an inexpensive TOOL each of us should have to round out our lens bag. BUY IT!!
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|It’s actually a very good lens!,
Hi, I just wanted to give this lens a fair review. As the other reviewer mentioned, if you use it with an APS-C sensor digital slr, you won’t see a whole lot of distortion. It’s no different from the Canon brand fisheye on a camera like that. But, if you use it with film, or with a larger sensor size camera, full-frame if possible, it’s really quite a beautiful, sharp, and very fish-eyed lens. On a Canon 5D it performed really well for me. I just wanted to say that on the right camera, it’s really quite a lens.
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|Useful enhancement, within reason,
First, to set things straight: this TC is intended for only Canon cameras, and for Sigma lenses that mount on a Canon camera. Anything else, you’re taking your chances. Second, there are optical laws that invariably predict a 2-stop decrease in the amount of light hitting the sensor. And finally, glass, no matter which brand or how many exotic elements in it, has undesirable characteristics and you will always lose some amount of clarity, saturation and perceived quality (how much varies from lens to lens and eye to eye).
Now that those fundamentals are out of the way, the results and recommendations. I took several photos using this TC mounted on my Sigma 70-200/2.8 and my Sigma 150-500/5.6~6.3. I also attempted to mount my Canon 28-70/2.8L on it, but the fit did not work (it scrapes and sticks and will not lock into place), and thus I believe they are incompatible. I did not test it with my Sigma 10-20/4.5~5.6 for obvious reasons.
AF is maintained throughout the entire range of the 70-200/2.8, as advertised in Sigma’s compatibility chart. MF is engaged electronically for the entire range on the 150-500/5.6~6.3, again per the chart. AF through the 70-200 is solid, accurate, and has no degradation of speed. MF through the 150-500 @ 500 is, as one should understand, a touchy process, though it’s aided considerably by the optical stabilization function.
Image quality @ 500mm (really, 1000mm) is not spectacular (though what does one expect, given a maximum aperture of about f/12.9). I didn’t expect wonders but I had hopes of better. Some of this is inevitably due to my challenge in focusing, which is difficult without a split-prism finder. The image quality is still fairly bright and saturated, but somewhat noisy-looking. Exposure was accurate. I need to test on monochromatic surfaces to determine what’s going on with the noise.
Tripod-mounting the camera, lens and TC for the 1000mm (500mm doubled) test shots produced the best results, improving further with MLU enabled and use of an IR remote. Image quality @ 400mm (200mm doubled) is acceptable and this should be the recommended pairing of lens and teleconverter (70-200/2.8 with this TC). This pairing results in a decent-quality 400/5.6 for well below the price of Canon’s prime and zoom lenses in this range. I won’t claim that the image quality is better; just, it’s decent, and you save a lot of money.
Build quality of the TC is fine and nothing is worth further comment other than that it’s a solid, well-built TC with multicoated elements.
I wavered between a 3-star and 4-star rating. I have owned two other TCs, and they were unquestionably 1-star at best. I went with four for this one because of its good performance with the 70-200/2.8, maintaining AF with that lens, and having pleasing build quality (I have no concerns about taking it out and using it frequently). I am however disappointed about the performance with the 150-500/4.5~5.6. I would give it a 3-star for its performance with the 150-500. I think it should at least attempt AF, and if the user has to give up and set it to MF, fine. Here, we don’t even have that luxury, and there’s no explanation on Sigma’s website or the product literature. So, if you are considering this to get yourself a cheap 1000mm lens, be aware of the drawbacks (full-time MF, somewhat noisy images, and challenging focusing in even overcast light). If you’re wanting to extend a 70-200, this is the sweet-spot.
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|Sigma 2X EX DG APO Teleconverter for Nikon AF Cameras,
After reading the two reviews above, I was somewhat baffled. If you do any research on this product, you will find it clearly is made only for use with Sigma lenses, not Nikon lenses. The instruction manual that comes with the converter even lists which specific Sigma lenses to use. If you want a converter for Nikon lenses, buy the Nikon TC-20E (retails for more than twice the Sigma). Of course the quality of this product is poor when using a Nikon lens! I have a Sigma 70-200 zoom and it works beautifully; it is well worth the price.
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