Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras
- 70-300mm telephoto zoom lens with f/4.5-5.6 maximum aperture for Nikon digital SLR cameras
- Vibration Reduction (VRII) minimizes effects of camera shake to produce sharper images
- 2 Extra-Low Dispersion (ED) glass elements delivers super contrast and resolution performance
- Internal Focus (IF) system provides fast and quiet autofocusing; 4.9-feet close focus range
- Measures 3.1 inches in diameter and 5.6 inches long; weighs 26.3 ounces; 5-year warranty
L3)NIKON 70-300MM F4-5.6G Vr (2161)
List Price: $ 669.00
Price: $ 669.00
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Lens Rocks! Discard the poor reviews due to shipping etc.,
I am very impressed with this lens. It is wonderfully sharp. The auto focus can hunt slightly in dimmer conditions but you would probably expect this with a 4.5 lense. Don’t let this stop you at all. I would by it all over again for sure. By the way, I bought mine from ritz camera (.com) on Sunday and delivered on Thurs. (I paid $504 due to the $25 off for using paypal plus free shipping and no tax). Many photos are better than my 18-200mm VR lens. I’m so glad I bought this as the extra reach is going to help me out on the softball field where my 200mm was just short. One other thing I noticed was it is slightly noisier than my 18-200mm VR (but not terribly much more). It is enough to notice, but no show stopper. Your going to love the photos you get from this. I’m thrilled to have it and now be in the 300mm range. What a keeper. I plan to keep both my 18-200 and my 70-300. Mine comes with a 5 year warranty directly from Nikon.
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|Brings Pro-Level Performance to Consumer Telephoto Zooms,
Never has my opinion of a lens changed so dramatically or so quickly as in the case of this 70-300mm VR from Nikon. My first copy, owned about a year ago, was utterly mediocre in nearly every way. It was fuzzy at 300mm, no better than reasonably sharp under 200mm, gave nice colors and decent focus performance but was no fun to use thanks to its sticky zoom ring and “hidden” focus ring.
I reviewed that lens, giving it three stars, warning that it was likely a below-average copy but that buyers should be aware that variations exist and to be sure to test a lens like this before purchase.
With that bit of history, the performance of my second copy of this lens, purchased a few weeks ago now, has stunned me. It has prompted me to sell my 80-400mm VR zoom (also an excellent lens, but less sharp, heavier and much more expensive) and has matched in most ways the performance of various pro Nikon zooms I’ve owned. Even at 300mm, where it is weakest, it equals at f/5.6 the sharpness of the Nikon 300mm f/4 AF at f/4, while improving on that lens’ color rendition and thus exceeding it in terms of overall image quality at all apertures.
How’s that for an encore?
I’ve had no choice but to radically alter my review. (Reader comments below as of today (1/28/10), apply to the first (three star) version of the review, and the caution that one must be aware of sample variability is as important as ever). I’ve decided to re-write my review based solely on the performance of my second sample, under the assumption that the second sample is representative and the first not.
The lens still has some “handling” issues that stem from its nature as a consumer-oriented lens, and it is still a “slow” lens, with a maximum aperture of f/4.5 – f/5.6 – although f/5.6 at 300mm still implies a light-transmissive opening of about 54mm, nearly as large as that of an 85mm f/1.4 (61mm). There is simply no way the lens could be faster without also making it larger, heavier and much more expensive – and such lenses already exist.
Build quality is good consumer-grade, meaning metal where necessary, plastic elsewhere, likely little or no weather-sealing and not designed to endure rough handling. That’s fine – another design choice that has benefits for size, weight and cost. Not quite so fine is the still-sticky zoom ring, which takes just enough effort to turn that near 300mm your subject will tend to jump around, maybe right out of the frame, as the hand holding the lens works in opposition to the hand holding the camera. Even worse in my opinion is the lack of a smooth, front-mounted focus ring, which I find fairly important in a long zoom. Notice that all the professional lenses have the focus ring in front of the zoom ring and usually larger than the zoom ring, so that small tweaks to focus are done easily and naturally with the photographer’s hands in the shooting position. The small, hidden focus ring on the 70-300 is unlikely to be used except when setting up shots of still subjects on a tripod, and that’s a shame because the lens is actually even better suited to other uses.
Those deficiencies are tolerable, though, because the 70-300 VR just about re-writes the book on image quality for consumer zooms in its range. It’s not just a matter of acuity, although acuity is excellent: like many of Nikon’s best lenses, the 70-300VR’s images exceed the level of quality implied by formal tests of it. These formal tests, and most reviews, independently consider the various easily-measurable aspects of lens performance – acuity, aberrations of various types, perhaps (though usually cursorily) color rendition; and then attempt to grade the lens based on some rational summation of its good and bad qualities. What is usually missed is that the perception of sharpness and of image quality relies on a much less linear and not easily definable combination of a lens’ optical qualities. The real performance of a lens can be more than the simple sum of its parts, or it can be less – and the perception of quality and sharpness in different lenses’ images can vary quite a bit between lenses that have similar measurable capabilities.
Whatever the explanation, the 70-300 VR is a genuinely excellent lens in terms of image quality. Even in comparison to some of the best and most expensive professional lenses I’ve used, the 70-300 VR more than holds its own. Between 70mm and 200mm, I don’t believe I have ever used a significantly sharper lens. Some might have an edge at one setting or another, but overall, within that range, I would put the 70-300VR up against any Nikon or third-party f/2.8 professional zoom and challenge anybody to see a difference in the resulting image. If there is one, my guess is that it would probably be in the 70-300’s favor, because although most of these lenses are similar in terms of acuity once f/4.5 is reached, they…
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|Very Nice Lens But it Has its Quirks,
After exhaustive research on many lens, I finally decided to plunk down the $500+ (at the time this was written) to purchase this lens. It may not be the best on the market but it compliments my Nikon 18-70mm DX lens nicely. I was looking towards Nikon’s 18-200mm DX lens, however; the price pushed me to choose this one (as it was nearly half the price and my two lens can nearly cover all the range of the one 18-200mm).
QUALITY/WEIGHT:
build quality is cheap yet sturdy… the plastic is a little chinky but cuts down on the weight. My Nikon D200 has no problem handling the lens weight, however; I have heard (unconfirmed) reports that this lens is a little heavy for the lighter cameras (D80, D70, D40, ETC). The Ring Connector is metal and has a rubber gasket on the outside so as to provide minor protection (for the lens mount) from the elements.
You also have to keep this in mind, when discussing weight, quality & price; the bulk of the price of this lens is going into the glass elements (all 17 elements of them). It gets expensive when you place that many high-quality optics into a tube. I’m really not that surprised a the price, although $400 price-range would probably be more suitable for this lens
FOCUSING/LENS ATTRIBUTES:
Focusing can be quite fast… at times. You’ll find, at the Max 300mm focal range, that the lens has a pretty hard time auto-focusing in on a subject. At times it would focus pretty quick, at the 300mm range, while at others it cannot focus at all. You can get around this quirk by bringing the subject into near focus (manually) then letting the auto-focus take over; it works every time. I find this focus problem disappointing especially given the price of this lens.
The quality of the Bokeh (Out of focus areas of the photograph) is very nice and pleasing. The images are sharp, vignetting (dark areas in the corner of your photos) is hard to find and lens flare rarely a problem.
VIBRATION STABILIZATION:
All I can say is that it works… it can come in handy. It’s not going to stop the image guaranteed for you; it’s only meant to slow down the rate at which the camera moves (vibration from holding). You can notice the difference; with it off you’ll see that the image (at say 300mm) really bouncing around; then you flick on VR. It takes a sec or two but then the image smooths out, it still wobbles around, but much more slowly.
With VR enabled, you can usually go 2-3 (sometimes 4) stops down, then what you’d normally be able to do when hand holding.
THE “SHOCK” TEST:
I haven’t “shock tested” my lens yet (IE dropped it) but I have heard (again unconfirmed reports here) that it holds up pretty well to a drop… although I would never recommend testing that out.
IMPORTANT NOTE:
The 70-300mm range should be noted: Although the lens states that it is a 70-300mm zoom, this lens was intended for a 35mm camera or full-frame CCD/CMOS sensor Digital Camera. All (or at least the majority) of Nikon’s DSLR (D200, D80, ETC) are NOT Full-Frame sensors. They are approximately 1.5x factor of a full-frame sensor (due to the smaller sensor size).
What does this all mean?
Well it’s simple, since this is a 35mm lens and not a DX lens (ie built to account for the 1.5x factor in most nikon digitals) you have to apply the 1.5x conversion. This means that the Nikon 70-300mm on a Nikon DSLR will give an apparent zoom equivalent to a 105-450mm lens. I actually do not mind this apparent zoom and this should also cut down on vignetting; as what the lens projects onto the sensor is larger then the area of the sensor itself. In short: parts of the image spills over the sensor, since this lens was meant to project onto a full-frame sensor/35mm film.
CONCLUSION:
Pros:
Pleasing Bokeh
Fast Auto-Focus (when working properly)
Vignetting is minimal
Image Stabilization (VR)
Flare is minimal
1.5x factor (105-450mm) makes for nice zoom
Colors are very good
CONS:
Plastic Casing
Near Inability to Auto-Focus at 300mm range
Price (even though it is cheaper then the 18-200mm DX)
1.5x factor (105-450mm) might make it more zoom then you need
Lens could be faster (F/4 would have been nice)
I love this lens, even for it’s quirks, however; you may want to wait till it drops in price a little more (it falls almost bi-weekly). It may not be the fastest on the market, but it’s size, optics, image quality and VR make this a must have lens for Serious Nikon users!
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